Wells-Kennedy Partnership - New Organs

Palmerston Place Church, Edinburgh - 1991

Manual Compass: CC - a 58 notes
Pedal Compass: CCC - F 30 notes

Great

1.	Bourdon	16	* wood
2.	Open Diapason	8	bass in prospect, 70% tin
3.	Chimney Flute	8	1-12 wood
4.	Principal	4
5.	Spitz Flute	4	tapered
6.	Fifteenth	2
7.	Sesquialtera	II rks
8.	Mixture 19.22.26	III-IV rks
9.	Sharp Mixture 33.36	II rks
10.	Trumpet	8
	Tremulant

Swell (enclosed)

11.	Stopped Diapason	8	* wood
12.	Gamba	8	*
13.	Voix Celeste	8	*
14.	Principal	4
15.	Wald Flute	4	* wood
16.	Nazard	2 2/3
17.	Gemshorn	2	tapered
18.	Tierce	1 3/5
19.	Mixture 22.26.29.33	IV rks
20.	Fagotto	16	*
21.	Trumpet	8
	Tremulant

Pedal

22.	Open Diapason	16	1-8 wood, 9-22 in prospect, 70% tin
23.	Subbass	16	* wood
24.	Principal	8	1-10 transmission from no.22
25.	Stopped Flute	8	* wood
26.	Octave	4
27.	Mixture 19.22.26.29	IV
28.	Posaune	16	*
29.	Trumpet	8	1-18 transmission from no.28

Couplers
Swell to Great
Swell to Pedal
Great to Pedal

Accessories
8 thumb pistons to Great
8 thumb pistons to Swell
8 General thumb pistons
4 reversible thumb pistons to couplers (Sw to Gt in both keyslips)
1 General Cancel thumb piston
1 Setter thumb piston
8 toe pistons to Pedal
8 toe pistons to Swell/Generals
3 reversible toe pistons to couplers
1 Great & Pedal combinations coupled (drawstop)
1 Generals on Swell toe pistons (drawstop)
Balanced Swell Pedal (mechanical)

Mechanical key action
Electric stop action with 8-level combination system
Casework of solid oak, original design by the Edinburgh architect Washington Brown for the previous Norman & Beard organ, 1902. Modified in proportion and detail by C J Gordon-Wells, Wells-Kennedy Partnership, including provision of new front display pipes in 70% tin.
Location: centre front of church in shallow apse
Tonal design: Christopher Bell, in consultation with the builders

* Stops nos. 1, 11, 12, 13, 15, 20, 23, 25 & 28 incorporating older material
1920 pipes